Edge of Darkness
Directed by Martin Campbell
Released in 2010
Over the past two years, a new genre, so simple yet so brilliant, has come to light. This is the "old guy kicking ass" action movie that proves to be a hit, time and time again. Sylvester Stallone starred and directed the newest Rocky and Rambo movies, and Clint Eastwood made his most successful film to date with Gran Torino. The Michael Caine vehicle Harry Brown looks like a ride as well, though it is only released in England at the moment. The middle aged action star emerged to a greater degree as well. Kevin Bacon starred in the shockingly violent Death Sentence and Liam Neeson defined "badass" with Taken. Now, Mel Gibson returns to acting at an age in the middle between those two. This film is Edge of Darkness, a fine film, though flawed in its execution.
The plot for Darkness does not take its time to reveal itself. Mel Gibson is Tom Craven, a Boston police officer, whose daughter Emma (Bojana Novakovic) returns home from her secluded work life to see her father. Once at home, the girl who Tom had raised still has her charm but something is missing. After coughing up blood, she panics that she needs to see a doctor and runs outside, only to be gunned down by a shotgun-wielding assassin. Her death traumatizes Tom, who vows to find the killer and his motives behind the shooting. What he becomes involved in, however, is a deep political conspiracy involving corporate CEOs, politicians, and hitmen alike. The villain de jour is Northmoor, a company specializing in nuclear materials, though a series of deaths there suggest more sinister activity. The story becomes surprisingly deep with every passing minute, sometimes to its detriment. A good 15 minutes could have been edited or reworked to make for a tighter film. Nonetheless, it wraps up at the end, albeit with more than a few plot holes, and has a very touching ending.
Taken this is not. Instead of a slick, far-fetched but very satisfying action film, Darkness takes the political thriller route with a few scenes of combat interspersed in between. Craven finds clues for this murder not with a gun drawn but with a Boston drawl. He talks with upper and lower class characters, such as Northmoor's head, Jack Bennett (Danny Huston) or the cold-blooded fixer Jedburgh, a rough and mumbly Ray Winstone. Winstone's character is a peculiar one: there is a lot of dialogue present here and most of Winstone's lines come across as unintelligible. Come to think of it, however, whenever Ray Winstone has talked in the past, he has also spoken in such a thick, low English accent that what is here is nothing new. Of course, he makes it work but not as much as his similar character in The Departed. That withstanding, what is left is a film with a script of varying quality. There are some classic lines, such as when Tom tells a hoodlum "You had better decide whether you're hangin' on the cross... or bangin' in the nails." The Biblical imagery is especially appropriate considering Mel's projects in the past. However, there are times when too many plot strands that make this feel like a poorly condensed TV mini-series....which it is. The BBC Films logo at the beginning is not totally random: this film is based off an English mini-series that was met with very positive acclaim. The remake is successful but does not have enough time to cover up every plot hole, unfortunately.
There is still action here, and its implementation is very well-done. While Liam Neeson can take out a whole building of Albanian mobsters without breaking a sweat, Mel Gibson is competent in a fist fight but, naturally, gets tired. This is realistic but also humorous when it happens. A knife-wielding lowlife tries to stab Craven, and obviously he is subdued, but Tom has to declare a truce when he is on the ground because, well, the man is exhausted! Scenes like this are a good laugh because of its blatant and honest self-awareness. Tom is better with handling a gun, however. In one scene, a car floors it at Craven, but he does not flinch. Instead, he slowly walks forward, popping a few shots at the killer, with the camera showing the damage from inside the vehicle. These all miss until a final gunshot is a clean hit to the head, with a bloody splatter on the windshield to show. Craven promptly shoots one of the wheels, so it spins to the side a moment before hitting him. Because the film is so dialogue-oriented, action scenes like these are a surprise and a welcome one at that. That they are well-directed, by Casino Royale's Martin Campbell no less, is a great bonus too.
Mel Gibson gives a great leading performance on top of all this. This should come as no surprise to those who are aware of his prestigious body of work and can overlook the trouble he is gotten himself in over the past few years. After his daughter is killed before his eyes, he carries a lined complexion that has seen the worst in life. Once he translates this sorrow to motivation to avenge her death, he becomes a determined detective who is able to put together the pieces faster than anyone else. A tragic motif to this movie comes into play following the intro, when Craven sees his deceased daughter in hallucinations around him. This is a sentimental touch that stands in sharp contrast to the vice and violence that laces every other scene of the film, and ultimately paves way for the moving conclusion. Gibson is an excellent actor, and his first role in almost eight years does not disappoint.
Ultimately, Edge of Darkness is not what most people will expect. It is more plot-driven than the trailers will have you predict, and the action arrives sparingly. An alteration of this format could have made the film a more cohesive experience, one without any down time and only enough story that it can handle. Still, what is here is perfectly competent. Mel Gibson impresses with a role that fits his talents perfectly, and Ray Winstone entertains, if for more of the wrong reasons. However, Winstone's final scene is incredibly satisfying, and makes you remember that, as a grim commentary on political corruption, violence, and personal loss, Edge of Darkness fits the bill just fine.
3 Stars Out of 5